Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Models were Degas-s Friends oil painting


The Models were Degas-s Friends
mk145 actress Ellen Andree and Artist Marcellin Des-boutin
Painting ID::  39468 		Edgar Degas
The Models were Degas-s Friends
mk145 actress Ellen Andree and Artist Marcellin Des-boutin
   
   
     
Edgar Degas Semiramis Building Babylon oil painting


Semiramis Building Babylon
mk155 c.1861 Oil on canvas 151x258cm
Painting ID::  40093 		Edgar Degas
Semiramis Building Babylon
mk155 c.1861 Oil on canvas 151x258cm
   
   
     
Edgar Degas Woman Combing her Hair oil painting


Woman Combing her Hair
mk159 c.1886 Pastel on cardboard 53x52cm
Painting ID::  41090 		Edgar Degas
Woman Combing her Hair
mk159 c.1886 Pastel on cardboard 53x52cm
   
   
     
Edgar Degas After the Bath oil painting


After the Bath
mk159 1884 Pastel on paper mounted on cardboard 50x50cm
Painting ID::  41091 		Edgar Degas
After the Bath
mk159 1884 Pastel on paper mounted on cardboard 50x50cm
   
   
     
Edgar Degas Balletrepetitie oil painting


Balletrepetitie
MK169 1874 58x84cm
Painting ID::  42789 		Edgar Degas
Balletrepetitie
MK169 1874 58x84cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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